{"id":56629,"date":"2013-10-28T00:00:00","date_gmt":"2013-10-27T23:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/digital-video-and-film-optics-course-december-2013\/"},"modified":"2025-05-04T23:23:10","modified_gmt":"2025-05-04T21:23:10","slug":"digital-video-and-film-optics-course-december-2013","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/digital-video-and-film-optics-course-december-2013\/","title":{"rendered":"Digital video and film optics course December 2013"},"content":{"rendered":"

\"angenieux<\/a><\/p>\n

In the daily work of the camera team we hear every day a multitude of types and brands of lenses. Zeiss, Digiprime, Masterprime, Ultraprime, Cooke, Anamorphic, etc. Is the only difference between them their brightness, can they all give 4K resolution, and 8K for UHDTV, what are the different “textures” of each lens, what is PL, B4 or EF?<\/p>\n

In this course of optics for digital cinema we will evaluate the different professional lenses from a technical and artistic point of view. After a theoretical introduction we will see how to test resolution and aberrations in lenses of the three mounts, how to match different lenses or how anamorphic optics affect the different sensors. And we will also see what makes a cinematographer choose one or the other at an artistic level: black reproduction, skin tones, chromatic ranges, etc. In short, a fundamental course for all those who work with film or video lenses in their daily professional life. <\/p>\n

TEACHER<\/b>: Rafa Roche.<\/p>\n

Rafa Roche<\/b>, cinematographer specializing in digital cinema and stereoscopy is one of the leading figures in digital cinema in Spain. He is a member of the AEC and ACTV, Independent certified Expert of Sony and partner of Ars Stereoscopica. His more than 20 years of experience in the industry and the last 10 years working as a director of photography have led him to work in feature films, documentaries, television and advertising and to be one of the gurus of digital photography in Spain. A great communicator, he has developed his teaching skills in numerous centers and courses nationwide and through his own training project, Roche HD. <\/p>\n

DURATION<\/b>: 8 hours.<\/p>\n

PRICE<\/strong>: 315\u20ac (270\u20ac booking before November 19th). You can get a discount of up to 20% through our discounts<\/a>. Non-cumulative discounts <\/p>\n

WHEN<\/strong>: Thursday, December 19th. Schedule from 10h to 14h from 15:30h to 19:30h (may vary slightly). <\/p>\n

WHERE<\/strong>: CES Audiovisual Campus. You have all the information about how to get there here<\/a>. If you need any kind of information you can contact 709 MR by email<\/a> or telephone (668840783). <\/p>\n

COURSE CODE<\/strong>: LNT109-191213<\/p>\n

AIMED AT<\/b>: Directors of photography, camera operators, Data Management, DIT’s, camera assistants, directors, filmmakers and in general video and photography professionals who want to learn the differences between the different optics of video and digital cinema.<\/p>\n

PREVIOUS KNOWLEDGE: <\/b>Basic cinematographic knowledge.<\/p>\n

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CONTENTS:<\/b><\/p>\n

THEORETICAL BLOCK<\/b><\/p>\n