{"id":56672,"date":"2013-11-25T00:00:00","date_gmt":"2013-11-24T23:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/first-impressions-of-the-cm250-monitor\/"},"modified":"2025-05-04T23:24:14","modified_gmt":"2025-05-04T21:24:14","slug":"first-impressions-of-the-cm250-monitor","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/first-impressions-of-the-cm250-monitor\/","title":{"rendered":"First impressions of the CM250 monitor"},"content":{"rendered":"

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In this video you can listen to Walter Biscardi<\/a> talking about Flanders Scientific’<\/a>s new OLED reference monitor, the FSI CM250. FSI CM250<\/strong><\/a>.<\/p>\n

This is the flagship product in the CM series of monitors and delivers the highest performance in this line. With a 24.5-inch screen, 12-bit video processing capability and a 10-bit OLED panel, it is designed for post production work, color correction suites or stable editing in house, broadcast or on-set monitoring. <\/p>\n

It can be used alone or in conjunction with other existing FSI monitors and features 3G\/Dual-Link\/HD\/SD\/SD-SDI, component, composite and DVI-I inputs.<\/p>\n

The CM250 is capable of reproducing over 1.073 trillion on-screen colors and offers support for virtually any image format, including NTSC\/PAL, HD, 2K and advanced 12-bit 4:4:4:4 or XYZ signals.<\/p>\n

Color space management is handled by the CFE2 Color Fidelity Engine technology, allowing selection between Rec 709, EBU, SMPTE-C, DCI-P3, Native Wide Gamut or custom color spaces.<\/p>\n

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Among its many features are Blue Only or Monochrome modes, markers, safety areas, H\/V Delay or Tally Lights. Like other monitors from this company, it comes with advanced functions that allow you to select from 13 scopes, Focus Assist, timecode display, audio level or pixel level meters. In addition, this monitor provides the additional capability for dual import of LUTs (calibration LUT and DIT LUT). <\/p>\n

Here is the video with Walter Biscardi’s first impressions:<\/p>\n