{"id":57357,"date":"2013-07-26T00:00:00","date_gmt":"2013-07-25T22:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/hd-color-correction-course-october-2013\/"},"modified":"2025-05-05T13:11:49","modified_gmt":"2025-05-05T11:11:49","slug":"hd-color-correction-course-october-2013","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/hd-color-correction-course-october-2013\/","title":{"rendered":"HD color correction course October 2013"},"content":{"rendered":"

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“To get the most out of the image you need to know a lot about color correction and the photographer needs to have a greater knowledge in this area.”<\/strong><\/p>\n

Jose Luis Alcaine AEC<\/strong><\/p>\n

(Cameraman Magazine N\u00ba66)<\/p>\n

Color correction has gone from being a technique handled by gurus who jealously guarded their secrets in dark rooms with priceless equipment to being within the reach of any filmmaker. However, the fact that color correction software has dropped in price does not mean that the discipline has changed and that anyone without previous knowledge knows what to do with it. Color correction techniques are still an independent discipline that straddles the line between post-production and cinematography. Knowing the basics of color grading, regardless of the software, and knowing how to apply these techniques to each particular production is what turns a simple software operator into a colorist. <\/p>\n

This color correction course will explain the basics of this discipline, but also how to prepare a material from shooting to conforming, through offline editing, thinking about the final color correction. Using simple but powerful tools such as Avid MC, Apple Color, Magic Bullet Looks or DaVinci Resolve, the workshop will show that color techniques go far beyond the mere “correction” that the term says, being able to improve or completely change the aesthetics of the production. <\/p>\n

DURATION<\/strong>: 12 hours<\/p>\n

TEACHER<\/strong>: Luis Ochoa.<\/p>\n

Luis Ochoa<\/strong> is a colorist, post-producer and director of photography. In recent years he has worked as a colorist in London, color grading projects for the LFS<\/a>, and in Spain color grading feature films (Cecilia y Juan), documentaries (Por la gracia de Luis) or television (Tierra de Lobos). He has coordinated the post-production of numerous projects for the company Avid Technology and holds the ACI (Avid Certified Instructor) certification. You can see here<\/a> some examples of his work and here<\/a> his IMDB profile. <\/p>\n

SOFTWARE<\/strong>: Apple Color 1.5<\/a>, DaVinci Resolve<\/a> on Apple Mac Professional Workstations (one per student)<\/p>\n

AIMED AT<\/strong>: Avid, FCP and Premiere editors, directors of photography, digital image technicians, producers, filmmakers…<\/p>\n

PREVIOUS KNOWLEDGE<\/strong>: Familiarity with the concepts of SD and HD video signal. Basic photographic knowledge. <\/p>\n

PRICE<\/strong>: 280\u20ac (238\u20ac if the reservation is made before September 14). You can get up to 20% discount<\/a> if you sign up for several courses. Discounts are not cumulative. <\/p>\n

WHEN<\/strong>: October 2nd, 3rd and 4th. Afternoons from 16 to 20h (may vary slightly). <\/p>\n

WHERE<\/strong>: Campus Audiovisual Ces.<\/a> See in Google Maps<\/a>. If you need any kind of information you can contact 709 MR by email<\/a> or phone (668840783). <\/p>\n

COURSE CODE<\/strong>: CC84-011013
\nGENERAL OBJECTIVES:<\/strong><\/p>\n