{"id":57379,"date":"2013-07-29T00:00:00","date_gmt":"2013-07-28T22:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/calibration-and-color-management-course-for-digital-video-december-2013\/"},"modified":"2025-05-05T13:12:20","modified_gmt":"2025-05-05T11:12:20","slug":"calibration-and-color-management-course-for-digital-video-december-2013","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/calibration-and-color-management-course-for-digital-video-december-2013\/","title":{"rendered":"Calibration and color management course for digital video December 2013"},"content":{"rendered":"

\"hubbleonly\"<\/a> \"5-calibrate\"<\/a><\/p>\n

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After the success of our previous edition, we are back with this unique course in Spain. In this new edition we have decided to improve it by including a complete process of monitor profiling of several hours (for which the equipment will be left overnight). The next morning the students will evaluate the results with the teacher, thus performing a practice that is not carried out in any calibration course in the world. <\/p>\n

All of us who work professionally with color in audiovisual we know the need for proper calibration of monitors and process management. However in recent times the complex digital range has made carrying out a project being consistent in color a difficult task. Although erroneously it could be thought that digital processes facilitate these tasks (as opposed to photochemical processes) the reality is that it is essential in any production a reasoned technical management of the image and color. <\/p>\n

This course on color calibration and color management will lay the foundations to carry out the necessary workflows in digital cinema, broadcast television and internet projects. We will talk about monitor profiling, LUT creation and color correction and multimastering processes. Concepts such as ACES, CDL, P3, XYZ, 709 and many others that are increasingly present in every audiovisual production will be defined. In addition, practices will be carried out with different monitors, calibration elements and programs to exemplify what has been taught during the course. <\/p>\n

DURATION<\/strong>: 10 hours<\/p>\n

TEACHER<\/strong>: Daniel P\u00e9rez<\/p>\n

Daniel P\u00e9rez-Llebot <\/b>supervisor of post-production, visual effects and digital services on set. Graduated in systems engineering, he has worked as 3D animator, visual compositor (in Flame, Avid DS, Nuke systems among others) or colorist (telecine, Scratch…) for companies like Softimage, Assimilate, Cinecolor … Having worked in Buenos Aires, Caracas, Miami, New York and many other places in Latin America, Daniel P\u00e9rez opened a new company in Madrid a little over a year ago dedicated to the rental of equipment and Digital Lab services on set: WhyOnSet<\/a>. <\/p>\n

EQUIPMENT EMPLOYED: <\/b>Monitors of various grades: EiZO ColorEdge CG246<\/a>, Sony PVM-1741<\/a>, HP Dreamcolor<\/a>, HP 2475<\/a>, Apple Retina Display<\/a>, etc. Probe Hubble, probe<\/a> i1 Display Pro<\/a>. Lightspace<\/a> and Cinespace THX<\/a> calibration systems. <\/p>\n

AIMED AT<\/strong>: Colorists, post-producers, post-production coordinators, DITs, directors of photography and anyone who makes professional use of color in the audiovisual industry.<\/strong><\/p>\n

PREVIOUS KNOWLEDGE<\/strong>: Familiarity with the concepts of HD video signal and digital cinema. Basic photographic knowledge. <\/p>\n

PRICE<\/strong>: 260\u20ac (234\u20ac if you book before November 9th). You can get up to 20% discount<\/a> if you sign up for several courses. Discounts are not cumulative. <\/p>\n

WHEN<\/strong>: December 21 and 22, 2013. Saturday from 10 to 14h and from 15:30 to 19:30h; and Sunday from 10 to 12h. <\/p>\n

WHERE<\/strong>: CES Audiovisual Campus.<\/a> If you need any kind of information you can contact 709 MR by email<\/a><\/strong> or phone (668840783).<\/strong><\/p>\n

COURSE CODE<\/strong>: CAL91-211213<\/p>\n

GENERAL OBJECTIVES:<\/strong><\/p>\n