{"id":57478,"date":"2012-04-09T00:00:00","date_gmt":"2012-04-08T22:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/color-correction-course-with-davinci-resolve-may-2012\/"},"modified":"2025-05-05T19:34:34","modified_gmt":"2025-05-05T17:34:34","slug":"color-correction-course-with-davinci-resolve-may-2012","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/color-correction-course-with-davinci-resolve-may-2012\/","title":{"rendered":"Color correction course with DaVinci Resolve May 2012"},"content":{"rendered":"<p><a href=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2012\/02\/davinciresolvesoftware.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2037\" title=\"davinciresolvesoftware\" src=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2021\/02\/davinciresolvesoftware.jpg\" alt=\"\" width=\"300\" height=\"169\"><\/a><\/p>\n<p>Once again, after the great success of our past editions, we announce a new call for the color correction course on DaVinci Resolve. After being acquired by the company Blackmagic and that this brutally reduced the price of the software (and also released a FULLY operational free version) Resolve has become the standard for many medium-high level postproduction companies, being also the natural replacement for Apple Color in color correction with Fnal Cut Pro X. It is a program designed by colorists for colorists, with not only powerful and subtle color correction tools at different levels. It also has numerous ways to carry out quick corrections depending on the material we are working with (film, advertising, documentary, etc) and the possibility of establishing different workflows with the most popular editors (Avid, FCP, Premier) or with tapes or files (Red, Arri Raw, etc).  <\/p>\n<p>A little gem of color correction that is now offered for free. Let&#8217;s hope that this kind of actions serve to show that a colorist&#8217;s salary should not be based on the price of the software he\/she uses, but on his\/her talent and experience. <\/p>\n<p><strong>TEACHER<\/strong>: Jorge &#8220;Yoyi&#8221; Molina. See works on <a title=\"Yoyi on Vimeo\" href=\"http:\/\/vimeo.com\/user1267490\/videos\" target=\"_blank\" rel=\"noopener\">Vimeo<\/a> <\/p>\n<div><strong>Yoyi Molina <\/strong>has been active in the audiovisual industry since the late 90&#8217;s as an advertising director, special effects technician, colorist, director of photography and technical advisor. He collaborates regularly with the Asociaci\u00f3n de Camar\u00f3grafos de Televisi\u00f3n y Video (A.C.T.V), ROCHE HD, T.E.A (F\u00f3rum Espa\u00f1ol de Alta Definici\u00f3n) and the CLUSTER AUDIOVISUAL GALLEGO as a teacher and lecturer, and has directed commercials for clients such as Ubisoft, Loewe or the Spanish Army and numerous music videos for artists such as Amparanoia or Ariel Rot. <\/div>\n<div>As technical head of post-production and special effects he has recently worked on the series &#8220;Herederos&#8221; and &#8220;Fuera de Lugar&#8221; (TVE\/Cuarzo), the film &#8220;El Frasco&#8221;, the documentary &#8220;GITANOS DE BUENOS AIRES&#8221; (TVE\/Continental) and the award-winning sci-fi short film &#8220;C\u00cdCLOPE&#8221; (Ignoto Planet).<\/div>\n<div>He has also worked as a color corrector with DaVinci Resolve on the second season of &#8220;Tierra de lobos&#8221;, shot with Arri Alexa.<\/div>\n<div><\/div>\n<div><strong>DURATION<\/strong>: 12 hours<\/div>\n<p><strong>PRICE<\/strong>: 280\u20ac.<\/p>\n<p><strong>DISCOUNTS<\/strong>: &#8220;amigo promotion&#8221; and other <a title=\"Discounts on our workshops\" href=\"http:\/\/709mediaroom.com\/descuentos-en-nuestros-workshops\/\">discounts<\/a> apply.<\/p>\n<p><strong>WHEN<\/strong>: May 26th and 27th, 2012. Saturday from 16 to 20h and Sunday from 10 to 14 and from 15:30 to 19:30h (times may vary slightly). <\/p>\n<p><strong>WHERE<\/strong>: <a title=\"Spaces 709\" href=\"http:\/\/709mediaroom.com\/espacios-709\/\">Ondas Formaci\u00f3n<\/a> See in <a title=\"DaVinci Resolve Color Correction Workshop March 2012\" href=\"http:\/\/709mediaroom.com\/ai1ec_event\/workshop-de-correccion-de-color-con-davinci-resolve-marzo-2012\/?instance_id=\">Google Maps<\/a>. Ondas Formaci\u00f3n does not administer the courses of 709 Media Room. If you need any kind of information do not go to Ondas Formaci\u00f3n, you can contact 709 MR by <a href=\"mailto:info@709mediaroom.com\">email<strong><\/strong><\/a> or phone (668840783).  <\/p>\n<p><strong>COURSE CODE<\/strong>: RES22-26-0512<\/p>\n<p><strong>EQUIPMENT USED<\/strong>: DaVinci Resolve Lite on MacPro stations (one per student) and <a title=\"Tangent Wave\" href=\"http:\/\/www.tangentdevices.co.uk\/products_wave.asp\" target=\"_blank\" rel=\"noopener\">Tangent Wave<\/a> controller on teacher&#8217;s station.<\/p>\n<p><strong>AIMED AT<\/strong>: Colorists, Avid and FCP editors, directors of photography, digital image technicians, producers, filmmakers, etc.<\/p>\n<p><strong>PREVIOUS KNOWLEDGE<\/strong>: Familiarity with the concepts of SD and HD video signal. Basic photographic knowledge. <\/p>\n<p><strong>GENERAL OBJECTIVES<\/strong>:<\/p>\n<ul>\n<li>Locate the color correction process in the current production and post-production chain.<\/li>\n<li>Learn how to use DaVinci Resolve color correction tool<\/li>\n<li>Compare the differences between the free Resolve Lite version and the full Resolve 8 version<\/li>\n<li>Learn the philosophy and methodology of color correction work regardless of the tool used.<\/li>\n<\/ul>\n<p><strong>CONTENTS<\/strong>:<\/p>\n<ul>\n<li>Introduction to DaVinci. Databases, users and preferences <\/li>\n<li>Configuration: projects, sessions, users<\/li>\n<li>Project and user settings: HD, 2K and 4K resolutions. Bit depth. RAW, luts, etc.  <\/li>\n<li>Processes to be performed in DaVinci: Ingest, conforming, color correction and exporting<\/li>\n<li>Types of conformations and workflows: tape, files, EDL, AAF and XML<\/li>\n<li>Preparing a sequence for color correction in Avid MC and FCP 7<\/li>\n<li>Scene cut detection for full movie cutting<\/li>\n<li>Basic editing tools. Forming problems <\/li>\n<li>Load audio from file or quicktime<\/li>\n<li>Use of measuring instruments: waveforms, vectorscope, histograms, etc.<\/li>\n<li>Primary: dials, faders, curves<\/li>\n<li>Autocorrections<\/li>\n<li>Movement through the different timelines. Linked clips <\/li>\n<li>Secondary: eyedroppers, presets and &#8220;curves&#8221;.<\/li>\n<li>Masks, Power Windows<\/li>\n<li>Defocusing and rescaling. Working in anamorphic <\/li>\n<li>Nodes, types of nodes: serial, parallel, layer and outside<\/li>\n<li>Correction by clip, track and transition<\/li>\n<li>Dynamic corrections. 3D Tracking <\/li>\n<li>Stabilization<\/li>\n<li>Management of memories, stills and power grades<\/li>\n<li>Compare one or more frames<\/li>\n<li>Reference films<\/li>\n<li>Versions and groups<\/li>\n<li>Work process in color correction. Steps to follow and correction of common problems <\/li>\n<li>Composition modes and keys<\/li>\n<li>Database management and power grades<\/li>\n<li>Proxies<\/li>\n<li>Generation of customized luts<\/li>\n<li>Final rendering. Easy setups for Avid and FCP7- X <\/li>\n<li>Custom rendering. Render queue <\/li>\n<\/ul>\n<div>You can download the documentation for the course <a title=\"Workshop documentation\" href=\"http:\/\/709mediaroom.com\/documentacion-workshops\/\">here<\/a>.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Once again, after the great success of our past editions, we announce a new call for the color correction course on DaVinci Resolve. After being acquired by the company Blackmagic and that this brutally reduced the price of the software (and also released a FULLY operational free version) Resolve has become the standard for many [&#8230;]\n","protected":false},"author":9376,"featured_media":48885,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8686,6851],"tags":[6852,6853,6854,6879,6963,6915,7329,6880,7330,7287,8130,7291,8688,7733,7749,6882,8117,8752,8764,8753,8754,11501,7769,8237,8083,6889,8668,6891,8530],"class_list":["post-57478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courses","category-news","tag-709-media-room-en","tag-709-mediaroom-en","tag-709mediaroom-en","tag-audiovisual-en","tag-avid-en","tag-codec-en","tag-color-en","tag-color-correction-en","tag-color-grading-en-2","tag-color-grading-en","tag-color-management-en","tag-colorist","tag-course","tag-courses","tag-da-vinci-en","tag-davinci-en","tag-effects-en","tag-fcp-en","tag-fcpx-en","tag-final-cut-en","tag-final-cut-pro-en","tag-final-cut-studio-en","tag-formats","tag-hd-en","tag-monitor-en","tag-professional","tag-resolve-en","tag-video-en","tag-workshop-en-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Color correction course with DaVinci Resolve May 2012 - 709 Media Room<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/709mediaroom.com\/en\/color-correction-course-with-davinci-resolve-may-2012\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Color correction course with DaVinci Resolve May 2012 - 709 Media Room\" \/>\n<meta property=\"og:description\" content=\"Once again, after the great success of our past editions, we announce a new call for the color correction course on DaVinci Resolve. 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