{"id":57487,"date":"2012-04-10T00:00:00","date_gmt":"2012-04-09T22:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/hd-color-correction-theory-course-may-2012\/"},"modified":"2025-05-05T19:34:41","modified_gmt":"2025-05-05T17:34:41","slug":"hd-color-correction-theory-course-may-2012","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/hd-color-correction-theory-course-may-2012\/","title":{"rendered":"HD Color Correction Theory Course May 2012"},"content":{"rendered":"<p><a href=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2012\/01\/DaVinci.png\"><img loading=\"lazy\" decoding=\"async\" title=\"DaVinci\" src=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2021\/05\/DaVinci.png\" alt=\"\" width=\"300\" height=\"187\"><\/a><\/p>\n<p>Color correction has gone from being a technique handled by gurus who jealously guarded their secrets in dark rooms with priceless equipment to being within the reach of any filmmaker. However, the fact that color correction software has dropped in price does not mean that the discipline has changed and that anyone without previous knowledge knows what to do with it. Color correction techniques are still an independent discipline between post-production and cinematography. Knowing the basics of color grading, regardless of the software, and knowing how to apply these techniques to each particular production is what turns a simple software operator into a colorist.   <\/p>\n<p>This course will explain the basics of color correction, but also how to prepare a material from shooting to conforming, through offilne editing, thinking about the final color correction. Using simple but powerful tools such as Avid MC, Apple Color, Magic Bullet Looks or DaVinci Resolve, the workshop will show that color techniques go far beyond the mere &#8220;correction&#8221; that the term says, being able to improve or completely change the aesthetics of the production. <\/p>\n<p><strong>DURATION<\/strong>: 12 hours<\/p>\n<p><strong>TEACHER<\/strong>: Luis Ochoa. Avid Certified Instructor, colorist (Tierra de Lobos, London Film School) and DOP. See <a title=\"Luis Ochoa colorist reel\" href=\"http:\/\/vimeo.com\/13936043\" target=\"_blank\" rel=\"noopener\">colorist reel<\/a> and <a title=\"Luis Ochoa on IMDB\" href=\"http:\/\/www.imdb.com\/name\/nm2094770\/\" target=\"_blank\" rel=\"noopener\">IMDB<\/a> file  <\/p>\n<p><strong>SOFTWARE<\/strong>: <a title=\"Learn more about Media Composer\" href=\"http:\/\/www.avid.com\/ES\/products\/media-composer\" target=\"_blank\" rel=\"noopener\">Avid Media Composer 6<\/a>, <a title=\"Apple Color\" href=\"http:\/\/www.apple.com\/support\/color\/\" target=\"_blank\" rel=\"noopener\">Apple Color 1.5<\/a>, <a title=\"Magic Bullet looks\" href=\"http:\/\/www.redgiantsoftware.com\/products\/all\/magic-bullet-looks\/\" target=\"_blank\" rel=\"noopener\">Magic Bullet Looks<\/a>, <a title=\"Resolve\" href=\"http:\/\/blackmagic-design.com\/products\/davinciresolve\" target=\"_blank\" rel=\"noopener\">DaVinci Resolve<\/a> on Mac professional workstations (one per student)<\/p>\n<p><strong>AIMED AT<\/strong>: Avid and FCP editors, directors of photography, digital image technicians, producers, filmmakers&#8230;<strong><\/strong><\/p>\n<p><strong>PREVIOUS KNOWLEDGE<\/strong>: Familiarity with the concepts of SD and HD video signal. Basic photographic knowledge. <\/p>\n<p><strong>PRICE<\/strong>: 260\u20ac. 10% discount for alumni and 5% discount for audiovisual students. <\/p>\n<p><strong>WHEN<\/strong>: May 16, 17 and 18. Schedule from 10 to 14h <\/p>\n<p><strong>WHERE<\/strong>: <a title=\"Spaces 709\" href=\"http:\/\/709mediaroom.com\/espacios-709\/\">Mass Digital<\/a>. See in <a title=\"HD Color Correction Theory Workshop\" href=\"http:\/\/709mediaroom.com\/ai1ec_event\/workshop-de-teoria-de-correccion-de-color-hd\/?instance_id=\">Google Maps<\/a>. If you need any kind of information you can contact 709 MR by <a href=\"mailto:info@709mediaroom.com\">email<strong><\/strong><\/a> or phone (668840783).  <\/p>\n<p><strong>COURSE CODE<\/strong>: CC23-160512<br \/>\n<strong>GENERAL OBJECTIVES:<\/strong><\/p>\n<ul>\n<li>Understand the <strong>overall post-production process<\/strong> and the place of color correction in it.<\/li>\n<li>Learn the technical basis of <strong>color correction<\/strong> regardless of the tool used.<\/li>\n<li>Learn the <strong>philosophy and methodology<\/strong> of color correction work with common software.<\/li>\n<li>Understand the <strong>differences between the software used<\/strong>, in order to choose the most suitable for each project.<\/li>\n<\/ul>\n<p><strong>CONTENTS<\/strong><\/p>\n<ul>\n<li><strong>Comparison of photochemical and digital color correction<\/strong>. Concept of primary, secondary and mask color corrections. <\/li>\n<\/ul>\n<ul>\n<li><strong>Analog-digital conforming<\/strong>. Film digitization: Telecine and negative scanner. Digital Intermediate. DPX files   <\/li>\n<\/ul>\n<ul>\n<li><strong>Digital intermediate concepts<\/strong>: HD, 2K and 4K resolutions. Online codecs. RAW files. Bit depth.   <\/li>\n<\/ul>\n<ul>\n<li><strong>Offline-online digital forming<\/strong>. Conforming process. DNxHD and uncompressed codecs. Transcoded.   <\/li>\n<\/ul>\n<ul>\n<li><strong>Concept of gamma<\/strong> In film (film sensitometric curves), professional video and computers.<\/li>\n<\/ul>\n<ul>\n<li><strong>Logarithmic and linear gamma curves<\/strong>. Correction and preview luts. <\/li>\n<\/ul>\n<ul>\n<li><strong>Calibration in DI<\/strong>: Luts and densitometers, conversion between color spaces.<\/li>\n<\/ul>\n<ul>\n<li><strong>Manual calibration<\/strong>: When and how.<\/li>\n<\/ul>\n<ul>\n<li><strong>Monitor characteristics: <\/strong>resolution, wiring, dynamic range, dominants.<strong><br \/>\n<\/strong><\/li>\n<\/ul>\n<ul>\n<li><strong>Use of measuring instruments<\/strong>: waveforms, vectorscope, histograms, parade.<\/li>\n<\/ul>\n<ul>\n<li><strong><\/strong><strong>Apple Color color corrector<\/strong>. Explanation of the different rooms <\/li>\n<\/ul>\n<ul>\n<li>Explanation of <strong>all the elements of the tool<\/strong> one by one and their practical applications.<\/li>\n<\/ul>\n<ul>\n<li><strong>Work process in color correction<\/strong>. Steps to follow and correction of common problems. <\/li>\n<\/ul>\n<ul>\n<li><strong>Composition applied to correction<\/strong>: masks, chromas, lumas and\/or secondaries.<\/li>\n<\/ul>\n<ul>\n<li><strong>Dynamic corrections<\/strong>. Animation of corrections. <\/li>\n<\/ul>\n<ul>\n<li><strong><\/strong><strong>Creation of looks<\/strong>: Tinting, bleach bypass, &#8220;Schindler effect&#8221;, etc.<\/li>\n<\/ul>\n<ul>\n<li><strong>Editing complementing editing<\/strong>: Avid Media Composer and Avid Symphony<\/li>\n<\/ul>\n<ul>\n<li><strong>Magic Bullet Looks<\/strong>: Explanation of the Avid and FCp7 plugin for look creation<\/li>\n<\/ul>\n<ul>\n<li><strong>DaVinci Resolve<\/strong>: An introduction to Blackmagic&#8217;s advanced color correction tool.<\/li>\n<\/ul>\n<ul>\n<li><strong>Render types and qualities<\/strong>. Final rendering. Processing bits  <\/li>\n<\/ul>\n<p>You can download the documentation to take the course <a title=\"Workshop documentation\" href=\"http:\/\/709mediaroom.com\/documentacion-workshops\/\">here<\/a><\/p>\n<p>For more information and to reserve a place, please send an e-mail to <a title=\"Contact email info@709mediaroom\" href=\"mailto:info@709mediaroom.com?subject:Workshop%20de%20correcci%C3%B3n%20de%20color%20HD\">info@709mediaroom.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Color correction has gone from being a technique handled by gurus who jealously guarded their secrets in dark rooms with priceless equipment to being within the reach of any filmmaker. However, the fact that color correction software has dropped in price does not mean that the discipline has changed and that anyone without previous knowledge [&#8230;]\n","protected":false},"author":9376,"featured_media":48964,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8686,6851],"tags":[6852,6853,6854,11096,12190,6879,6963,10469,6915,7329,6880,7330,7287,8130,7291,8688,7733,7749,6882,7734,7344,8117,8752,8753,8754,11501,7769,8237,8185,9935,8083,6889,8668,11014,11024,6891,8530],"class_list":["post-57487","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courses","category-news","tag-709-media-room-en","tag-709-mediaroom-en","tag-709mediaroom-en","tag-apple-color-en","tag-apple-intermediate-en","tag-audiovisual-en","tag-avid-en","tag-camera-operator","tag-codec-en","tag-color-en","tag-color-correction-en","tag-color-grading-en-2","tag-color-grading-en","tag-color-management-en","tag-colorist","tag-course","tag-courses","tag-da-vinci-en","tag-davinci-en","tag-direction-of-photography","tag-edition","tag-effects-en","tag-fcp-en","tag-final-cut-en","tag-final-cut-pro-en","tag-final-cut-studio-en","tag-formats","tag-hd-en","tag-luis-ochoa-en","tag-media-composer-en","tag-monitor-en","tag-professional","tag-resolve-en","tag-ressolve-en","tag-symphony-en","tag-video-en","tag-workshop-en-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>HD Color Correction Theory Course May 2012 - 709 Media Room<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/709mediaroom.com\/en\/hd-color-correction-theory-course-may-2012\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HD Color Correction Theory Course May 2012 - 709 Media Room\" \/>\n<meta property=\"og:description\" content=\"Color correction has gone from being a technique handled by gurus who jealously guarded their secrets in dark rooms with priceless equipment to being within the reach of any filmmaker. 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