{"id":57581,"date":"2012-05-11T00:00:00","date_gmt":"2012-05-10T22:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/baselight-tutorial-in-avid-media-composer\/"},"modified":"2025-05-05T19:36:21","modified_gmt":"2025-05-05T17:36:21","slug":"baselight-tutorial-in-avid-media-composer","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/baselight-tutorial-in-avid-media-composer\/","title":{"rendered":"Baselight Tutorial in Avid Media Composer"},"content":{"rendered":"

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Filmlight<\/a> recently decided to introduce its color correction system, Baselight, into Avid Media Composer<\/a>. To this end, the corresponding presentations were made during NAB: Baselight in Avid, Final Cut Pro<\/a> and Nuke<\/a>; as well as the new version of the software itself, 4.3 (about which you can read more here<\/a>). <\/p>\n

This video, made during NAB, explains the Baselight interface that will appear when we apply this plugin in Avid. It also makes a brief tour of the possibilities that the available tools give us; such as primary and secondary corrections, masks, effects application, keyframes, etc. <\/p>\n