{"id":57923,"date":"2012-11-22T00:00:00","date_gmt":"2012-11-21T23:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/foley-editing-course-in-hollywood-january-2013\/"},"modified":"2025-05-05T19:43:55","modified_gmt":"2025-05-05T17:43:55","slug":"foley-editing-course-in-hollywood-january-2013","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/foley-editing-course-in-hollywood-january-2013\/","title":{"rendered":"Foley editing course in Hollywood January 2013"},"content":{"rendered":"<p><a href=\"http:\/\/www.youtube.com\/watch?v=fmEFmdF6z08\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5256\" title=\"immortals\" src=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2021\/05\/immortals.jpg\" alt=\"\" width=\"202\" height=\"300\"><\/a>   <a href=\"http:\/\/www.youtube.com\/watch?v=YgbH05rQx1s\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5257\" title=\"Blancanieves_Mirror_Mirror-233079941-large\" src=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2021\/05\/Blancanieves_Mirror_Mirror-233079941-large.jpg\" alt=\"\" width=\"202\" height=\"300\"><\/a><\/p>\n<p>Foley is the name given to the studio reproduction of many of the everyday sounds that appear in any film. Foley artists use different techniques and tools to recreate a wide range of natural sounds without leaving the post-production room. After their creation, these sounds must be edited in order to be invisibly integrated with the rest of the sounds and music that make up the soundtrack of the film.  <\/p>\n<p>In this foley editing course we will study all the parts that make up the foley editing process. From the distribution of the work in different positions to the final output of the reels, paying special interest to the useful tools for this edition of the Pro Tools 10 software. Taking as examples and practices some of the Hollywood productions carried out by the teacher of the course.  <\/p>\n<p><strong>DURATION<\/strong>: 12 hours<\/p>\n<p><strong>TEACHER<\/strong>: Irene Vinader<\/p>\n<p><strong>Irene Vinader<\/strong> currently works as a foley, dialogue and sound effects editor at Wildfire post-production house in Los Angeles (USA). She has participated as such in Hollywood productions such as <a title=\"Trailer\" href=\"http:\/\/www.youtube.com\/watch?v=fmEFmdF6z08\" target=\"_blank\" rel=\"noopener\">&#8220;Immortals&#8221;<\/a>, <a title=\"Trailer\" href=\"http:\/\/www.youtube.com\/watch?v=YgbH05rQx1s\" target=\"_blank\" rel=\"noopener\">&#8220;Mirror Mirror Mirror (Snow White)&#8221;,<\/a> <a title=\"Trailer\" href=\"http:\/\/www.youtube.com\/watch?v=ey_atbLVh9U\" target=\"_blank\" rel=\"noopener\">&#8220;The big wedding&#8221;,<\/a> <a title=\"trailer\" href=\"http:\/\/www.youtube.com\/user\/21andovermovie\/featured?v=yg6uXk53MDA\" target=\"_blank\" rel=\"noopener\">&#8220;21 and over&#8221;<\/a>or <a title=\"Trailer\" href=\"http:\/\/www.youtube.com\/watch?v=kq6OwEY8bcM\" target=\"_blank\" rel=\"noopener\">&#8220;Playing for keeps&#8221;<\/a> (some of them pending release in Spain). In our country some of his credits are &#8220;Lobos de Arga&#8221;, &#8220;Mortadelo y Filem\u00f3n. Misi\u00f3n: salvar la tierra&#8221;, &#8220;Gordos&#8221; or &#8220;Las trece rosas&#8221;. She has a degree in Film Sound from Ecam in Madrid and is a certified Expert instructor in Pro Tools 10. She combines film production with teaching in centers such as Microfusa, Cice or Ecam in Madrid and internationally for the company Avid.    <\/p>\n<p>Here you can see its <a href=\"http:\/\/www.imdb.com\/name\/nm3157867\/\" target=\"_blank\" rel=\"noopener\">IMDB file<\/a><\/p>\n<p><strong>EQUIPMENT USED<\/strong>: Pro Tools 10 on Apple Professional Stations (one per student)<\/p>\n<p><strong>AIMED AT<\/strong>: Sound technicians, assistants&#8230;<\/p>\n<p align=\"left\"><strong>PREVIOUS KNOWLEDGE<\/strong>: Basic knowledge of audiovisual sound and Pro Tools software.<\/p>\n<p><strong>PRICE<\/strong>: 280\u20ac (250\u20ac booking before December 22nd) Possibility of other <a title=\"Discounts on our workshops\" href=\"http:\/\/709mediaroom.com\/descuentos-en-nuestros-workshops\/\">discounts,<\/a> not cumulative with each other or with the early booking discount.<\/p>\n<p><strong>WHEN<\/strong>: January 12 and 13, 2013. Saturday from 16 to 20h and Sunday from 10 to 14h and from 15:30 to 19:30h. <\/p>\n<p><strong>WHERE<\/strong>: <a title=\"Spaces 709\" href=\"http:\/\/709mediaroom.com\/espacios-709\/\">Ondas Formaci\u00f3n<\/a>. See in <a title=\"Ondas formacion\" href=\"https:\/\/maps.google.com\/maps\/ms?msid=209922214533867511957.0004c2c0248c1c16dc4de&amp;msa=0&amp;ll=40.343126,-3.795519&amp;spn=0.01575,0.033023\" target=\"_blank\" rel=\"noopener\">Google Maps<\/a>. If you need any kind of information you can contact 709 MR by email<strong><\/strong> or phone (668840783).  <strong><\/strong><\/p>\n<p><strong>COURSE CODE<\/strong>: FY53-120113<\/p>\n<p><strong>GENERAL OBJECTIVES:<\/strong><\/p>\n<ul>\n<li><strong>Learn the functions<\/strong> of a foley editor in the sound post-production chain.<\/li>\n<li><strong>Know how to plan<\/strong> a foley editing session<\/li>\n<li><strong>Learn the<\/strong> useful <strong>tools<\/strong> of Pro Tools for foley editing<\/li>\n<\/ul>\n<p><strong>CONTENTS:<\/strong><\/p>\n<p><strong>1. FIRST VIEWING, ALLOCATION OF POSITIONS, BUDGETS AND SCHEDULES<\/strong><\/p>\n<ul>\n<li>The producer<\/li>\n<li>The supervisor: what he\/she does, how he\/she is on top of the equipment<\/li>\n<li>Foley editor : what he does<\/li>\n<li>Foley stage and foley artist<\/li>\n<\/ul>\n<p><strong>  2. HOW TO OBTAIN MATERIALS<\/strong><\/p>\n<ul>\n<li>Ftp, hard disks&#8230;<\/li>\n<\/ul>\n<p><strong>3. CUEING<\/strong><\/p>\n<ul>\n<li>What is cueing<\/li>\n<li>How it is done: Creating a session or importing materials<\/li>\n<li>Which sounds are necessary and which are not<\/li>\n<li>Effects of not cueing well<\/li>\n<li>Recording sheets: What are they and their uses?<\/li>\n<li>Sending cue sessions and recording sheets<\/li>\n<\/ul>\n<p><strong>4. RECEIVING MATERIALS FROM THE FOLEY<\/strong><\/p>\n<p><strong>5. BUILDING THE SESSION<\/strong><\/p>\n<ul>\n<li>Importing materials<\/li>\n<li>Check materials<\/li>\n<li>Should I look at the coil before starting work?<\/li>\n<\/ul>\n<p><strong>6. EDITION<\/strong><\/p>\n<ul>\n<li>Where to start<\/li>\n<li>Methods<\/li>\n<li>Editing tools<\/li>\n<li>Pick up track: Cueing , sending, receiving and re-editing<\/li>\n<li>Color coding<\/li>\n<li>Conforming: manually, software, process, re-editing, re-editing<\/li>\n<\/ul>\n<p><strong>7. PRE-MIX<\/strong><\/p>\n<p><strong>8. COIL SHIPMENT<\/strong><\/p>\n<ul>\n<li>Bran<\/li>\n<li>Cleaned<\/li>\n<li>Export of materials<\/li>\n<\/ul>\n<div><strong>9. PRACTICES<\/strong><\/div>\n<div><\/div>\n<div>During all the modules, practices and exercises will be developed to assimilate the contents, as well as final practices will be carried out to consolidate the knowledge. In all of them, materials from the projects Irene has worked on in Hollywood will be used. <\/div>\n<div><\/div>\n<p>You can download the documentation to take the course <a title=\"Course documentation\" href=\"http:\/\/709mediaroom.com\/documentacion-workshops\/\">here<\/a><\/p>\n<p>For more information and reservations, please send an email to <a title=\"Contact email info@709mediaroom\" href=\"mailto:info@709mediaroom.com?subject:Workshop%20de%20correcci%C3%B3n%20de%20color%20HD\">info@709mediaroom.com<\/a>.<\/p>\n<p><a href=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2012\/11\/protools.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5261\" title=\"protools\" src=\"http:\/\/709mediaroom.com\/wp-content\/uploads\/2021\/05\/protools.jpg\" alt=\"\" width=\"300\" height=\"160\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Foley is the name given to the studio reproduction of many of the everyday sounds that appear in any film. Foley artists use different techniques and tools to recreate a wide range of natural sounds without leaving the post-production room. After their creation, these sounds must be edited in order to be invisibly integrated with [&#8230;]\n","protected":false},"author":9376,"featured_media":49593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8686],"tags":[6852,6853,6854,6963,8688,7733,7344,8117,12438,12593,12594,12595,12045,10521,9795,6889,8409,12596,8530],"class_list":["post-57923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courses","tag-709-media-room-en","tag-709-mediaroom-en","tag-709mediaroom-en","tag-avid-en","tag-course","tag-courses","tag-edition","tag-effects-en","tag-foley-en","tag-hollywood-en","tag-immortals-en","tag-mirror-mirror-en","tag-post-production-en-2","tag-post-production-courses","tag-pro-tools-en","tag-professional","tag-sound-en","tag-the-big-wedding-en","tag-workshop-en-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Foley editing course in Hollywood January 2013 - 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