{"id":58029,"date":"2011-09-27T00:00:00","date_gmt":"2011-09-26T22:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/introducing-some-of-the-new-features-of-avid-mc-6\/"},"modified":"2025-05-05T19:45:55","modified_gmt":"2025-05-05T17:45:55","slug":"introducing-some-of-the-new-features-of-avid-mc-6","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/introducing-some-of-the-new-features-of-avid-mc-6\/","title":{"rendered":"Introducing some of the new features of Avid MC 6"},"content":{"rendered":"

Thanks to Fernando Alfons\u00edn<\/a>, we have received this video with some of the new features of the Avid MC 6 version presented at IBC. New color corrector with Artist Color support (although in the video it doesn’t seem to have secondaries yet, I guess to keep Symphony), AVCHD and Red Code Epic support via AMA and editing and color correction of stereoscopic material are some of the things that seem to be just around the corner. <\/p>\n

What to ask for? I work at resolutions higher than HD (mostly for conforming issues) and work with more Raw codecs (for the same reason as above). I guess I would like to see the three Avid video tools (MC, Symphony and DS) integrated in a single software, although for market reasons I don’t think that will be the case at least in a few years. In any case it is nice to see the new features of the new versions. <\/p>\n