{"id":58176,"date":"2013-01-15T00:00:00","date_gmt":"2013-01-14T23:00:00","guid":{"rendered":"https:\/\/709mediaroom.com\/baselight-avid-course\/"},"modified":"2025-05-05T19:48:35","modified_gmt":"2025-05-05T17:48:35","slug":"baselight-avid-course","status":"publish","type":"post","link":"https:\/\/709mediaroom.com\/en\/baselight-avid-course\/","title":{"rendered":"Baselight Avid course"},"content":{"rendered":"

\"65_bl_avid\"<\/a><\/p>\n

Baselight is one of the most reputable color correction systems for film, television and advertising, a high-end system reserved so far only for big budget projects. However, a few months ago its manufacturer, Filmlight, decided to develop it as a plug-in for Avid Media Composer and Final Cut Pro 7 editors, keeping all the essential functions, the user interface and, most importantly, the color correction calculations. The result is a powerful color correction tool perfectly integrated into the video editor, making it possible for operators to perform elaborate color corrections easily. <\/p>\n

In this Baselight course we will use the Avid Media Composer version, focusing on the plug-in’s color correction tools and its interaction with its big brothers, since it is possible to export the corrections made in the plug-in to an independent Baselight station. At the end the student will be able to perform color corrections using the plug-in (on Avid or Final Cut) and will know the basic interface of a Baselight station, a system so far not very accessible for learning. <\/p>\n

TEACHER<\/strong>: Alberto Cayuela<\/p>\n

Alberto Cayuela has been working as a digital colorist for several years. During the development of his professional career Cayuela has worked on a wide variety of color correction systems such as Baselight, Nucoda, DaVinci Resolve or Apple Color. He has worked as a colorist in television (“Cu\u00e9ntame como pas\u00f3”, “Un pa\u00eds para com\u00e9rselo”), feature films (“Clara no es nombre de mujer”, “Ni pies ni cabeza”, “Lo que ha llovido”), documentaries (“La fuente de la vida”), music videos for bands like Carlos Jean or Leticia Labouat or advertising for brands like Coca Cola or Estrella de Galicia. He is currently color grading the 13th season of “Cu\u00e9ntame c\u00f3mo pas\u00f3” and the feature film “2 francs 40pts” in the Baselight correction system. <\/p>\n

DURATION<\/strong>: 12 hours<\/p>\n

PRICE<\/strong>: 280 \u00a4 (250 \u00a4 booking before February 9th) Applicable the “amigo promotion” and other discounts<\/a> (not cumulative between each other)<\/p>\n

WHEN<\/strong>: March 2nd and 3rd. Saturday from 16 to 20h and Sunday from 10 to 14 and from 15:30 to 19:30 (times may vary slightly). <\/p>\n

WHERE<\/strong>: Ondas Formaci\u00f3n<\/a> See in Google Maps<\/a> If you need any kind of information, you can contact 709 MR by email<\/a> or telephone (668840783).<\/p>\n

COURSE CODE<\/strong>: BL60-020313<\/p>\n

EQUIPMENT USED<\/strong>: Baselight on Avid MC on Apple professional equipment (one per student)<\/p>\n

AIMED AT<\/strong>: Colorists, Avid and Final Cut Pro editors, postproduction coordinators, image technicians, filmmakers, etc.<\/p>\n

PREVIOUS KNOWLEDGE<\/b>: Basic knowledge of color correction theory, it is not necessary to know the Avid Media Composer editing program, the functions related to it will be explained.<\/p>\n

CONTENTS<\/b>:<\/p>\n

1. Filmlight and its color corrector Baselight<\/p>\n