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The integration of Fairlight into DaVinci Resolve has been a revolution in the history of the program. Fairlight’s powerful sound tools have been merged into the software with the already famous color grading and correction tools. The worlds of image and sound post-production have been united on the same platform. But that doesn’t mean that the same artists know how to perform both functions and disciplines.<\/p>\n
In this Online Course DaVinci Resolve Fairlight<\/strong>, we will explain to regular DaVinci Resolve users, colorists, and editors, the basic handling of the Fairlight page to allow them to add more possibilities to their work with the program. Starting with system configuration and project options related to Fairlight, we will go step by step through editing volumes and panning in mono and stereo environments, study dynamics, and some notable FX for mastering. And of course, we will cover the export of audio files in a simple and understandable way for any user. <\/p>\n DaVinci Resolve<\/strong> is rightfully the most used color correction program in any type of production, to the point that it has become the standard for digital production and post-production professionals. From a small short film graded on your laptop to a Hollywood movie on a 4K workstation, DaVinci Resolve is, without a doubt, the ideal tool for color correction at any level. <\/p>\n But DaVinci Resolve is no longer just for color; since its acquisition by Blackmagic Design, it hasn’t stopped growing. Currently, it’s a tool to carry out almost all post-production: editing, VFX, sound, LAB, DIT are some of the functions and disciplines that can be performed with the program. And now it can also be done collaboratively and remotely. <\/p>\n","protected":false},"excerpt":{"rendered":"\n\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t\n\t\t\t\n\t\n\t\t\n