This course includes
Audio and subtitles in English and Spanish
Online course Film Workflow and Platforms 🇪🇸🇬🇧
Leandro Quintas, student of the Online Course on Codecs, Formats and HD and 4K Workflows
Clarity and experience of its teachers. Great professionals in the sector and eager to continue
learning.
DURATION
2 HOURS
LEVEL
ADVANCED
NUMBER OF VIDEOS
9 VIDEOS
DOWNLOADABLE
Direct video download
Now also available in English 🇬🇧
Learn how to design technical workflows in projects destined for the big screen or platforms such as Netflix, Amazon, Movistar…!
OFFER!
Original price was: 50,00€.35,00€Current price is: 35,00€.
Prices without VAT
The audiovisual industry has undergone a major transformation in recent years with the arrival of OTT streaming platforms. Netflix, Amazon, Movistar+… have raised the creative and technical standards of the audiovisual products they broadcast to match those of big screen cinema.
Nowadays, when designing a technical workflow, all the needs and requirements at each step of the chain must be taken into account, from pre-production to the final master.
But where do you start when designing a workflow? How do technical issues mix and intertwine in a real workflow? How do they interact with each other to avoid problems and improve processes? Which ones are the most important?
In this course, we will explain the technical processes that must be taken into account from pre-production for the correct execution of audiovisual projects destined for projected cinema or OTT platforms.
We will explain technical issues related to cameras, deliveries, material archiving, backups, etc. applying them specifically to real workflows.
A course oriented both for professionals with little technical experience and for those who have been using these concepts for a while but want to ‘fill in gaps’ and understand exactly what they consist of in order to improve processes.
An excerpt
Program
- During the course, we will cover the following points, among others, applying examples to each of them:
- Aspect ratios and frame rates for cinema projection, platform, and linear TV.
- Outputs for different exploitation windows: IMF, DCP, final file, etc.
- Generation and safekeeping of materials for future exploitation. Types of files to back up.
- Cameras and image sources, characteristics to consider.
- On-set color monitoring
- Processing of shooting materials: dailies, editing transcodes, etc.
- Structure of post-production processes: sequential, centralized, mixed.
- Conforming and DI color: HDR, SDR
Objectives
- Learn the order of a workflow design
- Understand the elements of each stage
- Relate the elements in order to optimize the workflow.
Teaching Staff
Luis Ochoa | Image Post-Production Director.
Luis Ochoa is the image post-production director at XPost (Secuoya Group). He is a senior DI colorist with over 15 years of experience and a 4K HDR workflow designer. He has delivered numerous feature films, series, and documentaries to cinemas and platforms such as Netflix, HBO, Movistar+, VIX+, Disney, Amazon...
His previous professional experience as a cinematographer and film editor has provided him with a global vision of the technical process of audiovisual creation, which he employs when designing workflows from camera to final master. He also holds Avid ACI (Certified Instructor) and Sony ICE (Independent Certified Expert) certifications and collaborates with multiple companies such as Arri, Sony, Panasonic, Canon, SGO, Filmlight, etc. He is an expert in Canon and Sony HDR monitors.
He recently completed the Master's in Executive Production for Film and Series at ECAM
Examples of his work and reel can be found on his IMDB profile and LinkedIn profile
Aimed at
Post-producers, colorists, post-production coordinators, editors, production directors, directors of photography, DITs, executive producers, directors, and in general anyone who wants to know the technical processes of the workflow.
Materials
The materials for this course include links to information sources to continue delving into the topics covered.
+ Info
EQUIPMENT USED: This is a theoretical course, no specific programs are required.
Are you interested in our course? Need more information? Contact us at info@709mediaroom.com and we will solve all your doubts!
Course code: CO-WFCP-GEN10
FAQ's
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Do You Offer Personalized Training for Companies?
Yes. If your company wants to train its team in post-production, color, HDR, ACES, technical coordination for platforms or digital cinema, we offer customized audiovisual training plans.
👉 More information here: Training for companies or write to us at info@709mediaroom.com
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