In recent years, display-referred color management systems have been established as a standard for many colorists. These systems have several advantages, such as the proper initial transformation of each source or support for different exports to multiple destinations (HDR, television, cinema, etc.). For several versions now, DaVinci has created and developed its own color management system. Currently, this system is mature and suitable for many productions and workflows.
In this online course DaVinci Resolve RCM Color Management, you will learn about the elements that make up DaVinci’s color management system and then put into practice all the tool’s adjustments with examples from different types of cameras. All guided by one of the most specialized DaVinci Resolve colorists in the Spanish language.
DaVinci Resolve is rightfully the most used color correction program in any type of production, to the point that it has become the standard for digital production and post-production professionals. From a small short film graded on your laptop to a Hollywood movie on a 4K workstation, DaVinci Resolve is, without a doubt, the ideal tool for color correction at any level.
But DaVinci Resolve is no longer just for color; since its acquisition by Blackmagic Design, it hasn’t stopped growing. Currently, it’s a tool to carry out almost all post-production: editing, VFX, sound, LAB, DIT are some of the functions and disciplines that can be performed with the program. And now it can also be done collaboratively and remotely.

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